If you are one of the people who looks at a terrible proposed bill and says, oh that’ll never pass don’t worry, and continue to do nothing. WAKE UP YOU ARE THE COMPLACENCY IN FACISM YOU ARE THE PROBLEM. Nazis are going to be Nazis, and facism is gonna roll as far as it’s allowed. But they only get squashed if everyone says, hey that’s fucked so cut that shit out. I know your denial is safe and comfortable but pick up a history book, check the numbers. Everything you’ve denied yet this year has happened. Get on the boat or sink.
Anderson Cooper saving a boy in Haiti during a shooting. A slab of concrete was dropped of the boys head.
Anderson fucking Cooper, everyone.
Some journalists like to be strictly observers. they don’t intervene, they don’t participate. they just document what they see, even if what they see is terrible. But the way I see it, journalists don’t exist in a vacuum. They are human beings, living and working in a very human environment. And that humanity is essential in relating to their stories. When you lose your humanity, you lose any kind of journalistic integrity you have left.
#nevernotreblog
this is the guy who found out one of his ancestors was killed by one of his slaves and was like “he had it coming”
Every now and then I run across this post, and every time I do, I feel the need to say something, especially since @flowers-without-reason felt the need to speak on behalf of a massive career field that he/she is not part of.
It’s really easy as a bystander to pass judgment on how/why journalists do things. I will not presume to speak on behalf of all journalists, but I was one and I can explain the “strictly observer” thing from at least one perspective.
You see, any time you are not actively observing – ie, taking photos/videos/recording observations – you are missing the story. When you miss the story, you miss the opportunity to tell the story.
Since we live in the digital age, it’s easy to forget that 1) we didn’t always have the ability to record, transmit, and view information across the globe instantaneously, and 2) not everyone has access to that utility now.
In 1992, James Nachtwey took this photo:
Because he took this photo (among the other equally horrifying and heartbreaking images he brought back from Somalia) and it was published to a large Western audience in the New York Times, The Red Cross received the largest influx of donor aid since WWII, and they were able to save 1.5 million people. Representatives from The Red Cross have directly cited the Nachtwey photos as inspiring that flood of help.
These photos helped save more than a million lives.
It is easy as a bystander – someone who isn’t a journalist, who probably hasn’t been in a war or famine zone – to make sweeping judgments about what journalists should or shouldn’t be doing.
Like this photo from the Sudan by Kevin Carter:
Hundreds of people contacted the paper questioning whether the little girl had survived to which the paper responded through an unusual editor’s note saying that the girl garnered enough strength to walk away from the vulture but her ultimate fate was not known. It was a rule for the journalists in Sudan not to touch victims of the famine, to avoid the risk of transmitting diseases. Carter though came under a lot of criticism for not assisting the girl. The St. Petersburg Times wrote this about him: “The man adjusting his lens to take just the right frame of her suffering might just as well be a predator, another vulture on the scene.”
He chased the vulture away after taking this photo. Note that journalists in the Sudan were not supposed to touch the famine victims to avoid the risk of transmitting disease.
You’ll be pleased to know he committed suicide in 1994, shortly after winning a Pulitzer for this photo, leaving behind a note that talked about the horrors he saw and photographed.
“I am depressed … without phone … money for rent … money for child support … money for debts … money!!! … I am haunted by the vivid memories of killings and corpses and anger and pain … of starving or wounded children, of trigger-happy madmen, often police, of killer executioners…I have gone to join Ken if I am that lucky.”
Now that we just blissfully assume everyone has both a smartphone and access to unrestricted internet, I guess it’s safe to feel critical of the people still putting themselves in the trenches to tell these stories.
These people told stories, and they are continuing to tell stories, that need to be told. We talk about silencing and rewriting history, then criticize the people trying to document it.
When people talk about immigration and refugees, you can show them this picture of the actual human beings sent to their deaths when we turned away the St Louis:
If you want to talk about the violent militarization of law enforcement, you can show someone this photo from the Kent State shootings:
Or maybe the horrific futility of war:
Or maybe the impossible way we connect with each other:
Or you want to showcase dignity:
And bravery:
I won’t disagree that “when you lose your humanity, you lose your journalistic integrity,” but I will disagree that intervention is a key component to maintaining journalistic integrity.
Journalistic integrity is telling an authentic story.
The social justice corner of Tumblr often discusses what one person can do to make a difference in the world, yet posts like this get 700,000+ reblogs crapping all over one of those things a single person can do to make a difference.
Net neutrality in the US is on the chopping block and states are debating the ethics of lying in history text books. I’d dare say that the journalists who are out there documenting the world as it exists are doing a job that is as important today as it was in WWII when a single photo from Iwo Jima helped turn the tide of the Pacific campaign.
We’re in a time and place where filming police officers in public is an arrestable offense. So yeah, documenting is an act of intervention and resistance. It’s you saying, “I am not going to let anything stop me from telling the truth.”
The Netherlands democratically puts a list of the 2000 best songs together every year around New Year’s and the biggest mystery every time is whether Bohemian Rhapsody wins again
i’m serious, if it doesn’t win, it’s second place
every winner before 2005 is Bohemian Rhapsody as well
why arent we talking about the constant presence of hotel california
this is hella scary. the president of the U.S is literally retweeting anti-Muslim propaganda. this is the shit dictators do when they want to ostracize a certain demographic. don’t tell me there’s nothing wrong and horrifying about this.
This is disgusting and exactly what Carl Schmitt describes as the “Sovereign Exception”.
Basically, the sovereign (The president), decides on who is the “exception” in society and to whom the rights of citizenship apply or do not apply.
The acceptance of this is one of the quickest ways for democracy to degenerate into tyranny. Instead of upholding our values for everyone, we allow the government/regime to decide and it is all fun and games until you find out they are coming for you next. That’s how tyrants stay in power, there always has to be an enemy.
This is even worse than it looks, believe it or not.
I don’t know anything about the middle tweet, but the other two were discussed on TRMS tonight. The top one was two Dutch minors, neither of whom are Muslim. They were both born in the Netherlands as Dutch citizens. The attacker was charged, sentenced, and has served time for what he did. The victim asked that the video NOT be shared because he did not want to relive it, but someone saved it, rebranded it as anti-Muslim propaganda, and shared it again as such, where it has now reached international attention.
But the third video is far, far worse.
I say this with no ambiguity or exaggeration: that video is explicitly unedited propaganda originally produced and distributed by Al Qaeda. The only change from its original distribution is that it has been captioned in English. Al Qaeda produced that video. It was then redistributed, unchanged (except for English language compatibility), by a far right English white nationalist political party called Britain First (presumably the BF in that twitter handle). From there it was retweeted by the sitting president of the United States.
A propaganda video produced and distributed by Al Qaeda has now been distributed, unedited and unchallenged, by and with the implicit endorsement of, the sitting president of the United States.
Donald Trump, in his capacity as the U.S. President, has publicly endorsed an Al Qaeda propaganda video in its original form as produced by a terrorist organization that is explicitly an enemy of the United States.
So this wasn’t just anti-Muslim propaganda being retweeted by the president. This was 100% literal terrorist propaganda produced by a terrorist organization being endorsed and distributed by the president of the United States, who is using it to fuel his anti-Muslim agenda. (Which isn’t even getting into his financial ties to sanctioned entities in Azerbaijan known to have had dealings with the Iranian Revolutionary Guard, one of the world’s best known and most prolific sponsors of global terrorism.)