Concept:
A movie where a mostly average dude accidentally stumbles across a valuable magical artifact, which is a key piece of contention in a war between the forces of good and evil. The forces of evil attack his home, and the confused man is nearly killed, but is rescued from certain death by a mysterious, beautiful young woman.
The young woman takes him to a secret hideout, where her father, a wise old wizard, has been secreting away key weapons and artifacts so that the forces of darkness cannot destroy them. The young woman proceeds to get into an argument with her father. Legends tell of a champion of the light, who is destined to rise up and use the tools that they have been hiding to defeat the darkness. The young woman has been training with most of these tools for all of her life, and now, as they have obtained the last artifact, she feels it is imperative that they act. The darkness will come for them. They cannot simply wait for that to happen.
But the wise old wizard rebukes her. She is arrogant to think that she is the legendary champion. Destiny often works in more subtle ways, and destiny has brought to them another option: the random dude she just rescued.
Disgusted, the daughter storms off. The random dude moves to go after her, but the old wizard stops him. His daughter is headstrong, and she is passionate. She wishes to fight, but she must learn patience, and appreciation for other paths in life. The old wizard has had more time to appreciate the paths of fate. The random dude has much potential – though of course, he doubts it and refutes it, baffled but unable to leave for fear of being tracked down by the forces of darkness again.
The next day, the old wizard announces that it is time to begin his training.
The random dude goes through precisely one day of gruelling magical/physical tutelage, and then books it to where the daughter is still brooding by a waterfall. Last night he saw this chick suplex a motorcycle and summon up a wall of fire with her bare hands. Dude is not an idiot. He is not going to match the skills of someone who has spent a lifetime training at this stuff, no matter how sexist her father is. He makes a suggestion – he’ll distract the old man with training montages, while the daughter takes all the mystical artifacts and goes to defeat the forces of darkness. It’s the perfect plan! Even if the forces of darkness are still after them, and they come here, then he and the old wizard can serve as a red herring. Meanwhile, the daughter can do whatever she thinks she needs to do to defeat them!
For about five minutes the daughter waffles, because maybe that is arrogant, to think that she is a legendary hero. She’s been living her whole life with the Wizard of Undermining Women’s Contributions, after all.
But the random really is a good dude, so rather than deciding he must have a Destiny, or explaining that her father is probably just trying to protect her, or asking him to help learn instead, he clasps her shoulder and looks her in the eye and is just like:
“You flip-kicked a truck. Normal people can’t do that. So I’m thinking you deserve the benefit of the doubt.”
The daughter concedes his point. After all, she saw him struggling to carry those two buckets up the hidden mountain, and her dad’s not even making him try to do it with his mind yet.
They go through with the plan. The daughter steals all the artifacts/weapons and then has another ‘fight’ with her father, which prompts him to seal all the locks on the already-empty treasure room. Announcing her intention to go sulk, she then takes the mystical items of destiny and fucks off on an epic quest to defeat the forces of darkness.
Occasionally we cut back to the random dude still training with the old wizard. This is the comic relief portion of the film, featuring various hijinks as the dude tries to keep the wizard from discovering that all the mystical artifacts are gone and that his daughter isn’t still just hanging out by the waterfall or in her room or something. Occasionally the wizard wants to find her to help with the training or because ‘nothing motivates a man like a beautiful woman’, and the dude just has to keep dodging it.
Meanwhile the daughter gets the action hero plotline, recruiting new allies and engaging in dangerous, pitted battles across various harrowing landscapes. She bonds with a love interest and wrestles with the temptation to join the forces of darkness, but ultimately finds her great internal reason to fight, beyond the burning desire to prove herself or meet impossible standards.
Of course, for the dramatic climax the forces of darkness attack the hidden sanctuary where her father and dude are. The daughter and her allies rush to defend the place, as the old wizard tells random dude to take his daughter and flee, while he holds off the forces of darkness. Random dude finally explains, however, that the old wizard’s daughter has been gone this entire time. And rather than dying in a spectacular last-stand, the old wizard is stumped as his newest pupil helps hold off the attacking forces long enough for the fully-equipped and supplied champions of light, led by the daughter, to arrive and defeat the armies of darkness before the sacred sanctuary is overtaken and destroyed.
Afterwards, the old wizard is shocked at first. But then he nods sagely to himself. Of course, the random dude was the hero after all – if he had not stayed, then surely the sanctuary would have been lost. His actions led the old wizard’s daughter to victory, and surely now that they have been reunited, the random dude will take his rightful place as a champion of the light. And also probably marry the wizard’s daughter, and produce a suitable male heir…
Everyone basically just tunes him out as the random dude and the daughter fistbump, and the dude sags in relief when the daughter explains that he can go home now and then drops like a sack full of gold into his arms to try and compensate him for all the trouble.
~ Fin
Tag: writing ideas
if you find yourself stuck while trying to write, don’t ask me for help with your problem unless what you want are more, weirder problems
i need my characters to trust/accept help from my cannibal character but he literally just ripped someones face off and the others are generally against that sort of thing
why would he need their consent. he’s their friend now. he doesn’t care if it’s mutual.
Someone caused a worldwide event which killed a good chunk of the population and gave some of the survivors superpowers, but i dont know who
an unpaid intern
if the vampires do the kidnapping, what are you blackmailing the werewolves to do?
erotic boudoir photography
My MC has just discovered that her new lover is a were-sheep (a sheep-shifter). After the expected confusion and dismay, what would she do?
hide her knitting supplies to avoid misunderstandings
It’s going to involve a huge quest with people picking up friends along the way- but I can’t decide where it begins.
in line at the deli
the sheep-shifter already knows about the knitting
a spirited debate about whether anything made with sheep-shifter wool is actually just a gross hair sweater
I’ve got an MC who’s technically undead but her gf is mortal and does ‘die’ while saving her, how do I explain the mortal gf coming back to life after literally being dead for like 10 minutes
undeath, like life, is sexually transmitted
If you’re still doing this, my mc has magical powers that I’m not 100 sure on yet, but basically she’s telepathically connected to what amounts to a demon and it’s slowly taking over her life and mind. I’ve been describing it as her “Gift” but I’m pretty sure it has a physical form and I can’t figure out what it should be.
tamagotchi keychain
I’m doing something with a buncha undead people working at a modern-day bodega, and I’m like … running out of different kinds of things for characters to be?
invent something new and have them be really bitter about the fact that no one has ever heard of the thing that they are
I’m trying to write a self-insert fic but I can’t imagine my reaction to being placed in the main character’s situation to be anything but hiding under a bed and crying from stress for a month straight.
let you
one of my characters has a crush on another character but is both bad at being a person talking to other people and also is trying to solve a murder. how do I make them kiss
they just kinda go for it at an intense moment and it’s ill-advised and awkward
the heir/estate of some semi-important historical person has donated a large amount of mildly interesting historical junk to a museum. a coven of evil vampires desperately wants one of the items. what is it, and why is it important to the vampires?
an embarrassing painting
I have a bad guy that needs to learn how to court a good girl.
check her goodreads for romances she rated highly and then read them
Two characters who bodyswap communicate solely via leaving notes in each other’s phones– why dont they just call each other??
they both have social anxiety
Okay so my plot so far is that the story takes place in a post- apocalyptic faerie-inspired world, and my main characters run like a tavern together. The only problem is, they don’t have anything to do…
someone left a baby in the bathroom and they don’t know if it’s supposed to be a changeling